Evil Biscuit

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Evil Biscuit is a pseudonymous artist whose work examines how images evolve as they circulate through online spaces and digital collecting cultures. Best known for the Drifella series, he constructs fragmented digital compositions that fuse gaming imagery, internet culture, collectible aesthetics, and found online material. Through these works, he explores themes of accumulation, distortion, repetition, and the unstable nature of contemporary digital images.

Full Bio

Evil Biscuit is a pseudonymous artist who explores contemporary image culture through collage, NFTs, installation, and trading card aesthetics. Using imagery from video games, anime, horror films, internet memes, vintage photography, social media feeds, and art historical imagery, he creates digital compositions built from screenshots, textures, symbols, pixel forms, found images, and painterly digital marks. 

He is best known for the Drifella series, which expands the visual language of profile picture culture through overloaded, fragmented images where characters and environments shift between figuration and abstraction. His practice frequently incorporates glitch effects, GAN-generated elements, digital outlining, and collectible formats to explore how images are altered, repeated, archived, and reinterpreted across networked spaces.

Across projects such as Card NFT, Milady Aura2 After Death, and the collaborative Heavy Liquid Graphic with Parker Ito, Evil Biscuit employs scratched surfaces, smearing, and layered overlays to investigate collecting cultures and generative image systems. His work was recently presented in the exhibition One Of Us Is Real And It’s Not You at Galerie Yeche Lange, where triptychs, sculptural card works, and installation-based pieces explored collectibles, gaming imagery, internet archives, and the circulation of images within digital culture.