Olympiad

Description

This print is taken from a 1973 film, also titled Olympiad, created by Lillian Schwartz and Ken Knowlton. In an effort to bring new geometries into Schwartz’s video work, the two computer artists collaborated using an IBM 360/50 computer to create the Explor programming language: a “system for computer-generation of still or moving images from explicitly defined patterns, local operations, and randomness.” Explor generated rectangular arrays of 240-by-340–unit binary black-and-white images which were outputted to microfilm using a Stromberg-Carlson Datagraphics printing machine.

While in the 1973 film the runner—who Schwartz described as “a man made up of octagons”—was shown in motion and with the addition of color, here each frame is depicted in continuous sequence, with the figure cycling through its full range of movements. If multiple copies were placed end-to-end, the runner would extend their efforts indefinitely. Despite their pixelated form, the figure’s movements are still recognizable as originally belonging to the 19th- century photographer Eadweard Muybridge’s famous motion series—another technical innovation that had a profound impact on the art that followed it.

Related Works

SDL Portfolio by Hiroshi Kawano, 1973

SDL Portfolio Print

Lillian 2 (Picturephone Self Portrait) by Lillian Feldman Schwartz, 1979

Lillian 2 (Picturephone Self Portrait) Print

First Transmission by Lillian Feldman Schwartz, 1990

First Transmission Print

Untitled Self-Portrait by Lillian Feldman Schwartz, 1984

Untitled Self-Portrait Print

Untitled by Ken Knowlton, 1972

Untitled Print

MOMA Poster, 1984 by Lillian Feldman Schwartz, 1984

MOMA Poster, 1984 Print

Octagons by Ken Knowlton, 1973

Octagons Print

EDO Series AI-105 by Lillian Feldman Schwartz, 1989

EDO Series AI-105 Print

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