Jean-Jacques Duclaux

Jean-Jacques Duclaux, known as Eko33, was born in Switzerland in 1980. He lives in a quiet, remote area in the Swiss Alps, a place that offers both inspiration and peace, and somewhere he always likes to return to. From a young age, he showed a strong interest in creativity. Encouraged by his grandmother, he attended drawing classes and won an art prize in junior high for a sculpture he created. While his parents worked long hours, Eko33 taught himself programming languages like MS-DOS, Pascal, and Visual Basic. This early mix of art and technology laid the foundation for his future as a generative artist.

Eko33 began creating generative art on a Commodore SX-64, one of the earliest portable computers, exploring code-driven creativity well before the term “generative art” was widely used. Over the years, he has developed his practice using tools like Max/MSP and Nato.0+55+3d, integrating sound, sensors, and visuals to extend the scope of his work. His artistic process balances control and randomness, producing intricate compositions that merge precise geometry with organic, unpredictable forms. More recently, he has incorporated AI and neural networks to expand his creative possibilities, continuously evolving his approach while maintaining a thoughtful connection between technology and emotion in his art.

With a growing presence in the generative art world, Eko33 has made a mark through key exhibitions such as his 2024 solo show “Latent Ink” at Fellowship Gallery in London and his 2023 residency at Art Basel Miami. He also featured in the 2022 Venice Biennale digital showcase and the 2023 Art Blocks Curated exhibition “Neural Sediments.” These milestones highlight his role at the forefront of generative art, where his work stands out for its vibrant colors, swirling geometric forms, and a compelling balance between organic chaos and mathematical precision.