Masao Kohmura

Masao Kohmura was born in 1943 in Tokyo, Japan. He studied at Tama Art University, where he became fascinated by the possibilities of merging art with emerging computer technologies. In 1966, while still a student, he co-founded the Computer Technic Group (CTG), a pioneering collective that explored the creative potential of algorithmic and computer-generated art. Although the group disbanded in 1969, Kohmura continued to push the boundaries of digital art, developing a unique approach that combined rigorous logic with artistic exploration.

Kohmura saw the digital realm as a language-like system—finite, structured, and capable of being fully explored through algorithms. His early work with CTG involved using random numbers and algorithmic rules to investigate all possible variations within a defined space. Over time, his practice evolved toward creating exhaustive visual listings and exploring the limits of formal expression in digital media. One of his most notable works, Return to a Square (a), created in collaboration with programmer Kunio Yamanaka, was featured in the groundbreaking 1968 exhibition Cybernetic Serendipity in London, showcasing his talent for transforming geometric forms through subtle visual metamorphosis.

Recognizing the lack of formal education in media art and computer graphics in Japan, Kohmura took it upon himself to develop a new model for teaching. He emphasized programming not just as a technical skill but as an expressive language essential to mastering media literacy. His teaching philosophy encouraged students to understand the medium from the ground up, blending practical coding with creative experimentation. Through his dual role as artist and educator, Kohmura has left a lasting impact on the field, inspiring generations to engage deeply with the intersection of art and technology. His works are held in international collections, including the Victoria and Albert Museum, standing as a testament to his pioneering vision in digital art.