These paired silkscreens stage a dialogue between analog mark-making and emerging computer technology. They were produced during a period of intense experimentation that culminated in Sture and Charlotte Johannesson’s founding of the Digital Theater in Malmö, a studio with an advanced Apple system consisting of several computers, monitors, and synthesizers. In both works, a stylized purple computer chip presides over the composition while a precisely rendered Kanon caliper at the bottom supports a traditional drawing tool—pencil in Chip Shadow, brush in Chip Challenge—as if establishing a makeshift graph axis. Across the central field, waves or zig-zag strokes traverse the space, pitting the expressive gesture of the hand against the ordered geometry of measurement.
Johannesson’s juxtaposition of drafting instruments with computer-derived motifs reflects his broader investigation of how mechanical precision reshapes artistic representation. By placing tools of calculation and expression in dynamic tension, the prints question notions of control and progress at a moment when computer graphics were beginning to redefine visual production.
Related Works
IBM Publishing IVX, La HulpeSture Johannesson1990Print