All visual art manipulates light, but particular digital artworks excel at creating a sense of luminosity, whether with light that glows from a screen or with light reflected on a print. Zach Lieberman uses color, composition, and code to create abstract digital works that appear to glow.
Cone Gradient Study 32 #3, one of 150 works in a series, begins with various points on the picture plane that are programmed to have a particular color, intensity, and a direction in which that color is projected. The points then create diffuse cones, not unlike the glow of spotlights, even though some blast a dark blue hue that is darker than the surrounding mix of pinkish tones.
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