Kennedy in the Net starts as an evenly spaced grid. A program moves each intersection a random distance in a random direction. The original photograph (the same press photo of Kennedy used across the series) sets limits for the movements: points can travel far when representing dark areas and can barely move when representing light areas. From this manipulation, a face appears, as crumpled, crowded cells turn into shadows. Tsuchiya is credited with both the idea and program. The same process, run against a photograph of Marilyn Monroe, produced the companion piece, Monroe in the Net.
Related Works
TouchMorton Subotnick / Computer Technique Group (CTG)1969Sound
Kennedy in a Rectangle (Negative)Multiple Artists1968Print
Bijutsu Techō (Issue No. 313, May 5, 1969)Bijutsu Shuppan-sha / Computer Technique Group (CTG)1969Book
March of PolygonsComputer Technique Group (CTG) / Haruki Tsuchiya1968Print
Cybernetic Serendipity MusicPeter Schmidt / Computer Technique Group (CTG)1968Sound
arte y ciberneticaGrupo de Arte y Cibernética Buenos Aires / Computer Technique Group (CTG)1969Book
Cube Kennedy No. 1Computer Technique Group (CTG) / Haruki Tsuchiya1968Print
Twisted CircleComputer Technique Group (CTG)1968Print