These prints belong to Lovejoy’s See the Beautiful Sea series, in which she deconstructed a single seascape into arrays of short, colored strokes that function like informational marks. Inspired by weather-satellite imagery and computer printouts, she sought to “take apart reality” into abstract patterns and then reconstruct it as a scene, revealing how data-like symbols can encode the underlying structures of the natural world.
In XXIV, the strokes are organized into orderly vertical stripes, capped by a band of streaked color that suggests a horizon or a cloud layer. In XI, the image appears crumpled like paper, its folds and creases introducing depth and a tactile sense of handmade intervention. Together, the works test how repeated marks—reminiscent of line-printer output—can oscillate between abstract data pattern and evocative seascape, anticipating Lovejoy’s later explorations of computer-generated views of the world.
Related Works
Labyrinthe: City 3Margot Lovejoy1988Print
See the Beautiful Sea XIMargot Lovejoy1980 (ca)Print
UntitledMargot Lovejoy1975 (ca)Print
UntitledEnrique Castro-Cid1980 (ca)Print
First TransmissionLillian Feldman Schwartz1990Print
Ohne Titel / UntitledGeorg Nees1970Print
S-71-51971Guidance & Control Division, NASA Manned Spacecraft Center1971Print
Families of CirclesAron Warszawski1972Print
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