Re:Voir’s 2023 set of films by the experimental filmmaker Stan VanDerBeek closes with Computer Generation, a volume made up mostly of his computer films. Five are Poemfields, made with the computer scientist Ken Knowlton at Bell Labs between 1966 and 1971, Poemfield No. 7 among them. Who Ho Ray was filmed from a computer system that turned sounds into patterns, and Richard Weinberg programmed Euclidean Illusions (1980) while VanDerBeek was artist in residence at NASA in Houston. A 1972 television documentary, The Computer Generation, is included as a bonus.
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Art in America, Vol. 58, No. 1 (January–February 1970)Stan VanDerBeek1970Ephemera