Eduardo Mac Entyre’s untitled serigraph from 1972 is a striking example of how technological advances influenced artists working across media in the second half of the 20th century.
In 1959, the then–30-year-old Mac Entyre and fellow abstract painter Miguel Ángel Vidal co-founded the Arte Generativo (Generative Art) movement in Buenos Aires. They chose this term, as explained in a manifesto published the following year, to describe a style of geometric abstraction that “generates” movement through the interplay of lines and shapes. “Rather than try to evade the technological age, it is far more important to engender beauty within it, as these artworks produce STRENGTH and ENERGY as well,” they wrote.
Initially Mac Entyre sketched his compositions by hand, but by the early 1970s he was working with computer programming to create complex arrangements of circular elements, as in this vibrant red-and-blue print.
Related Works
Untitled CollageEduardo Mac Entyre1972 (circa)Collage
Chastique (untitled)Aldo Giorgini / Dan Cook1972Painting
UntitledGeorg Nees / Ludwig Rase1972Mixed Media
Computer ParagraphSture Johannesson1972Print
Untitled Impossible Figure (red cube)José María Yturralde1972Print
Elements Subjected to PerspectivesRolf Wölk1972Print
Stochastic Lines Subjected to Constraints #3Rolf Wölk1972Print
Stochastic Lines Subjected to Constraints #2Rolf Wölk1972Print
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