Gerhard Kammerer-Luka
German
1929 —2023
Kammerer-Luka was a pioneering figure in computer-assisted art, known for blending programming with spiritual and linguistic themes to create algorithmic works that bridged aesthetics and technology. In the 1970s, he co-founded the Groupe Art & Ordinateur de Belfort and participated in foundational exhibitions such as the Centre Pompidou’s inaugural digital art show in 1978, helping to define the trajectory of early digital art.
Full Bio
Gerhard Friedrich Ludwig Kammerer, known artistically as Kammerer-Luka, was born on June 9, 1929, in Gernsbach, Germany. His early passion for the arts showed through his first pencil drawings on discarded forms from the French occupation army, created while working as a student laborer. Between 1950 and 1957, he pursued a broad and rich education in philosophy, history, German studies, and Romance languages at the universities of Freiburg and Bonn. During this time, he also honed his artistic skills through life drawing classes at the Freiburg Art Academy. In 1963, he moved to Belfort, France, where this blend of intellectual curiosity and artistic training set the stage for his pioneering work in computer-assisted art.
Kammerer-Luka began a significant collaboration with computer scientist Jean-Baptiste Kempf in 1971 that shaped much of his later work. Together, they founded the Groupe Art & Ordinateur de Belfort to explore how computation could intersect with art, social engagement, and architecture. Their shared interest in language, Kempf taught FORTRAN programming while Kammerer-Luka was a linguistics specialist, became central to their projects. In 1973, they applied these ideas in a public space, using a double Fibonacci sequence to design colored tiles for an underground passage at Belfort train station, blending mathematical structure with artistic expression.
Between 1977 and 1979, Kammerer-Luka worked at the ARTA workshop in Paris’s Centre Pompidou, where he used advanced tools like the plotter drawing table to develop his digital art. His works from this period often featured musical motifs, alphabet-like shapes, and ancient hieroglyph-inspired forms. Drawing on mythology, pieces like Daedalus and Ikarus reflected his interest in combining technological complexity with spiritual themes, sometimes incorporating programming glitches as creative elements. Throughout his career, Kammerer-Luka balanced systematic programming with randomness, using limited shape sets and patterns to explore a wide range of artistic possibilities, securing his place as a pioneer of computer-assisted art.
Kammerer-Luka, is remembered as a foundational figure in computer-assisted art whose work gained recognition across decades and continents. Among many important exhibitions, he participated in the groundbreaking, inaugural digital art exhibition at the Centre Pompidou in Paris in 1978, showcased his work in the influential Ex Machina: Early Computer Graphics until 1979 at Kunsthalle Bremen in 2007, and was featured in Computer Drawings from the 1970s at RCM Galerie in Paris in 2023. His innovative blending of technology and artistry helped define the field of digital art and left a lasting impact on the dialogue between computation, aesthetics, and creative expression. Kammerer-Luka passed away in 2023 in France.