2 sammelband futura 14 bis 26

1968

Ephemera

Edition Hansjörg Mayer, Stuttgart
futura nos. 14–26 in a card slipcase
Edition of 300
6.25"x9.5"

The Library

Description

Numbers 14 to 26 of futura, the folded-sheet series of the Stuttgart publisher Hansjörg Mayer, contained in this second case in 1968, in an edition of 300. In futura 24, programmed square 11, the painter Peter Schmidt arranged small squares in alternations of black and white. Schmidt had followed a rule-based approach to painting he called PROGRAM since 1963, and in 1968 he was musical adviser to the computer-art exhibition “Cybernetic Serendipity” in London.

Art d’Église, No. 142 by Roman Verostko, 1968

Art d’Église, No. 142 Roman Verostko1968 Ephemera

bit international 1: the theory of informations and the new aesthetics by Ivan Picelj, 1968

bit international 1: the theory of informations and the new aesthetics Ivan Picelj1968 Ephemera

bit international 3: international colloquy computers and visual research, Zagreb August 3–4 1968 by Boris Kelemen, 1968

bit international 3: international colloquy computers and visual research, Zagreb August 3–4 1968 Boris Kelemen1968 Ephemera

bit international 2: computers and visual research by Boris Kelemen, 1968

bit international 2: computers and visual research Boris Kelemen1968 Ephemera

The Monolith 1968 Ephemera

Groupe de Recherche d’Art Visuel (Museum am Ostwall, Dortmund, 1968) 1968 Book

Institute of Contemporary Arts: Sept 68 (monthly program) 1968 Ephemera

Thinking Machines? (16mm film reel) 1968 Film