bit international 1: the theory of informations and the new aesthetics

Ivan Picelj

1968

Ephemera

Galerije grada Zagreba, Zagreb
Journal, No. 1
Layout by Ivan Picelj
Paperback
Croatian, with French, German and English originals
130 pages
8.25"x9.5"

The Library

Part of

Description

In 1968 the Galleries of the City of Zagreb began bit international. Its first issue is given to information aesthetics, the attempt by Max Bense and Abraham A. Moles to judge the value of art on a mathematical and empirical basis. Bense’s text is “Ästhetik und Programmierung” (Aesthetics and Programming). The news pages list the computer graphics by Frieder Nake, Georg Nees, Hiroshi Kawano and others that were shown in Zagreb that August with the colloquy “Computers and Visual Research.”

bit international 4: design by Matko Meštrović, 1969

bit international 4: design Matko Meštrović1969 Ephemera

bit international 2: computers and visual research by Boris Kelemen, 1968

bit international 2: computers and visual research Boris Kelemen1968 Ephemera

bit international 5/6: the word image / poésie concrète by Vera Horvat-Pintarić, 1969

bit international 5/6: the word image / poésie concrète Vera Horvat-Pintarić1969 Ephemera

bit international 3: international colloquy computers and visual research, Zagreb August 3–4 1968 by Boris Kelemen, 1968

bit international 3: international colloquy computers and visual research, Zagreb August 3–4 1968 Boris Kelemen1968 Ephemera

Art d’Église, No. 142 by Roman Verostko, 1968

Art d’Église, No. 142 Roman Verostko1968 Ephemera

2 sammelband futura 14 bis 26 1968 Ephemera

The Monolith 1968 Ephemera

Groupe de Recherche d’Art Visuel (Museum am Ostwall, Dortmund, 1968) 1968 Book