bit international 3: international colloquy computers and visual research, Zagreb August 3–4 1968

Boris Kelemen, Radoslav Putar

1968

Ephemera

Galerije grada Zagreba, Zagreb
Journal, No. 3
Layout by Ivan Picelj
Paperback
Croatian, with French, German, Italian and English originals
143 pages
8.25"x9.5"

The Library

Part of

Description

This third issue of bit international prints papers from the colloquy “Computers and Visual Research,” held in Zagreb in August 1968 and chaired by the French theorist Abraham A. Moles. The colloquy opened “Tendencies 4,” a year-long program on the same subject. Frieder Nake replies to the Italian artist Alberto Biasi, and Kurd Alsleben of Hamburg, whose computer graphics were shown with the colloquy, writes on algorithmic “sensifying.” The computer artist Herbert W. Franke’s paper introduced “Computer graphic,” the exhibition shown with the colloquy, and photographs of it are reproduced.

bit international 1: the theory of informations and the new aesthetics by Ivan Picelj, 1968

bit international 1: the theory of informations and the new aesthetics Ivan Picelj1968 Ephemera

bit international 5/6: the word image / poésie concrète by Vera Horvat-Pintarić, 1969

bit international 5/6: the word image / poésie concrète Vera Horvat-Pintarić1969 Ephemera

bit international 4: design by Matko Meštrović, 1969

bit international 4: design Matko Meštrović1969 Ephemera

bit international 2: computers and visual research by Boris Kelemen, 1968

bit international 2: computers and visual research Boris Kelemen1968 Ephemera

Art d’Église, No. 142 by Roman Verostko, 1968

Art d’Église, No. 142 Roman Verostko1968 Ephemera

2 sammelband futura 14 bis 26 1968 Ephemera

The Monolith 1968 Ephemera

Groupe de Recherche d’Art Visuel (Museum am Ostwall, Dortmund, 1968) 1968 Book