Color Veil is a striking example of how Barbara Nessim used a computer as a medium for drawing before imaging software was available for personal computers. An experienced artist and fashion illustrator, Nessim brought her interest in archetypal female imagery into a new technological terrain.
Part of her series “Computer Heads,” Color Veil uses minimal means to dynamic effect: a woman’s face is rendered in cutout-like curves of black against diagonal swathes of vivid color. A pale blue wedge slices through the composition, and a jagged black line further enhances the composition’s asymmetry.
Nessim had done editorial work for Time Inc., and in 1982 the company offered her a residency in their experimental “video information services” department. She worked nights, alone, on a Norpak IPS-2 Telidon computer, learning to code arcs, lines, and polygons by trial and error. The program executed instructions in real time with no option to revise or undo. Each image had to be completed in a single session and captured on a 35mm slide. Like traditional printmaking, the process was unforgiving, but in Nessim’s hands it yielded powerful results.
Related Works
Tea LeavesBarbara Nessim1989Mixed Media
Ear AcheBarbara Nessim1989Mixed Media
Soviet Union Lives (RAM Flag Series)Barbara Nessim1991Painting
Coffee BreakBarbara Nessim1996Print
Computer Cola, For AndyIlene Schuster1984Print
Inter Dada 84, SFGinny Lloyd1984Mail Art
Inter DadaGinny Lloyd1984Mail Art
Untitled Stamp Art (self portrait)Ginny Lloyd1984Mail Art
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