Created on a Commodore Amiga in 1988 in collaboration with students in Berlin, Computer Knots translate Tajiri’s favored sculptural motif into the emerging language of consumer digital imaging. Using Deluxe Paint—software released for the Amiga in 1985 and notable for its customizable brush and multicolored stripe tools—Tajiri devised a rope-like brush to “tie” knots directly on screen. The program’s then-novel capacity to simulate depth through layered imagery allowed him to evoke intertwining strands within a 2D digital field.
An internationally recognized sculptor, Tajiri had begun making knot sculptures as public art in 1967, seeking a simple, universal visual language at a moment when contemporary art seemed increasingly dense with references. Across his sculptures, works on paper, and later digital images, the knot functioned as a sign of connection that could be grasped across cultures. These Amiga drawings extend that inquiry into the realm of mass-market software, revealing how early paint programs could serve not just as technical tools but as vehicles for reimagining enduring sculptural forms in a new computational medium.